Review: The Good Girl

I’ve picked up an unusual amount of crime fiction, lately, and I keep finding myself surprised at this development. The latest selection in this parade of mystery novels: The Good Girl, debut novel from author Mary Kubica.

The Good Girl tells the story of Mia Dennett, the youngest daughter of the affluent Judge Dennett and his somewhat disconnected wife, Eve. After a reckless encounter with a stranger in a bar, Mia goes home with the mystery man — Colin Thatcher — in anticipation of a one-night stand after she is stood up by her less-than-stellar boyfriend. Mia soon realizes this encounter is more than chance, though, as the man makes it clear they won’t be engaging in any sort of . . . extracurricular . . . activities. She is hauled to a cabin in the remote woods of northern Minnesota where the two weather the swiftly dropping temperatures of fall while each wonders what will become of the situation and themselves.

Meanwhile, back home, Eve frantically pursues her daughter’s case as her husband and eldest daughter (Grace) remain infuriatingly skeptical and distant. Eve’s only solace is Gabe, the relatively nondescript detective who’s been assigned to the case. As weeks slide by and little new information comes to light, Eve’s desperation grows, as well as her discontent.

The novel, like maaaaaany other recently published crime fiction works, is arranged into short chapters told from the perspectives of a few major characters: Eve, Gabe, and Colin. Although the story is about Mia, the author makes a wise choice in revealing the actual timeline of events through the perspectives of everyone but Mia.

The Good: The novel is a quick, easy read. There aren’t a lot of complicated storylines to follow, or characters to track, and the story itself is interesting enough that the short chapters and building tension make the novel a page-turner.

The Bad: Initially, the story’s timeline is a bit muddy. Some chapters are written from before a specific date, while others come after that date; though easy to keep track of later in the story, this arrangement is a bit irksome at the start. I also found Kubica’s character development to be a bit lacking. Gabe felt like a halfway constructed character who was supposed to have had revisions made . . . only to be forgotten prior to publication. He often comes across as a power-hungry, insecure, dopey investigator, and that’s just unfortunate. Additionally, one particular relationship in this novel is rather contrived, and nobody likes those kinds of relationships. Right?

The Verdict: 2.5/5 stars. Somewhat predictable and somewhat underdeveloped, this novel left me with a pretty in-the-middle reaction: it’s good, but definitely not great. Certainly a viable “palate-cleanser” for those reading slumps and lazy weekends when you’re not in the mood to dive into something with layers and complexity.

Review: Celine

He laughed too, but what he felt was alarm. He looked past Amana and Gabriela to the outer rocks and saw the dark swell. It was the next wave and it was the second in a set and he watched it as if in slow motion: the wall lightening to green as it rose, rising impossibly tall, the guarding boulders out in the cove dwarfed beneath it, the quivering top frayed by wind and then a piece of it curled and collapsed and the water fell: a surge of whitewater chest-high roared in over the black slack of water of the inner cove and he was slugged and knocked over, his shoulder and neck hit rock, he came up lunging out of ice foam to see the tumult sucking back.

Last week, I made my first trip to a public library in over two years (for two years, I walked my classes to the library to check out books, but never got any for myself); and checked out books for myself for the first time in I-don’t-know-how-many-years. In truth, I only went to the library because I needed to check out the movie version of Of Mice and Men for my senior English class, which had recently finished studying the novel; but while I was there, I decided perhaps I could look into a few books I’d been eyeing on Litsy.

One of my four selections: Celine, a March 2017 fiction novel by author Peter Heller. Wedged neatly between two white spines on the New Releases shelf, Celine‘s lush green cover immediately drew my eye and I knew I’d heard of this mystery before. (A quick review of Litsy confirmed this suspicion.)



The novel opens in the past with an exquisitely crafted piece of prose that sets the stage for the rest of the story. It is here that young Gabriela is introduced to readers, before meeting her again some forty years in the future when she enlists the help of the novel’s title character, Celine: a 68-year-old private investigator born and bred of the upper crust society that is bourgeoise New York in the 1930s-40s. An anomaly for her breed, Celine challenges the expected roles of the jewel-encrusted “old wealth” families of her time period, bucking tradition to attend a boarding school that encourages students to work like farm hands; enroll and study at college; work for the FBI; and establish her own mostly-pro bono business as a private eye. Celine is everything society raised her not to be — and for that, readers will love getting to know her decadently-layered character.

Anyway. Gabriela, tied to Celine through their alumni status at the same college, seeks out Celine for help locating her father who has been missing for more than twenty years. Although Gabriela’s photographer father is assumed to have been mauled by a bear in the wilderness of Yellowstone National Park, a body was never recovered and more than a few details point to possible alternatives to the conclusions investigators came to just a few short days following her father’s disappearance. Celine is immediately enamored with the graceful, intelligent, and beautiful young woman who shows up at her door with a heartbreaking story of an unbelievable childhood, and she agrees to take the case. After arrangements are made, Celine and her husband (Paul) head to Yellowstone to sift through the puzzle that is not quite as open-and-close as investigators led Gabriela to believe decades ago.

As Celine and Paul work together to uncover the truth, Heller reveals nuggets of Celine’s own past to readers in a teasing manner . . . one tidbit at a time. Readers will race to finish this puzzle of a novel (and then regret not savoring it a bit more slowly, as several early details become important later on, as the mystery unravels).

The Good: Heller’s prose is to. die. for. (See the opening quote and try not to love it.) Although fragments bugged me in a nagging sort of way off and on throughout the novel, I quickly determined Heller is a Writer of Esteem. The opening scenes at the ocean completely drew me in; so much so that I raced through the rest of the novel and wanted to cry a bit when the story was all over. Another reader on Litsy noted that the ending felt a bit like an opportunity for continuation or a series, and though this is purely speculation, I’m happy to imagine a world in which Heller publishes more novels in the Celine vein. The plot of this work is enticing and not overly-populated with characters, which makes for a more intimate knowing of the individuals most central to the story. And, of course, Celine is a total grandmotherly badass. What’s not to love about that?

The (Not Actually) Bad: I read this one too quickly. Seriously. I started it Sunday night and was finished by Tuesday morning — and no, I did not skip work to read. It was just. that. good. My advice to readers: savor it, slowly. This one is definitely going on my to-be-purchased list, and I anticipate a reread in the near future.

The Verdict: 4.5/5 stars. Really, y’all: I just loved this book. I want to be Celine when I grow up, and I don’t doubt you’ll feel the same way.