The Neighbor (Part 2)

Part 1: Read here.

I just spoke to the dispatcher. About the boards in her window.

For several moments, there is nothing at all — not even the irritating thrill of three dots appearing and disappearing. Lottie’s nothing if she’s not a drama hog, and we all know she won’t offer anything else until someone takes the bait.

…and?

Almost immediately, the dots appear . . . and as quickly, they disappear. Nothing. Just as we’re all uttering the first syllable of a curse under our breaths, Lottie pulls through. A gray mass of words appears in our Messages, a torrent of gossip she’s surely had typed and saved into her notes for the seven minutes since that call to the dispatcher ended.

Leon figures he saw the husband late last night, says he saw the truck roll in around one. Who works that late?! I clock out the minute that second hand hits five. Anyway, the neighbors called in a noise complaint around four this morning — heard some loud banging — and the sheriff drove by for a look. He said boards were going up, sure enough, but couldn’t tell who was doing the hammering. And since it’s on the inside, and there’s no current noise problems, there’s nothing he can do at the moment. I bet it’s that woman. She’s always been…different.

We absorb this noninformation: a disappointment. In the moments before the message came through, our breath hung suspended at the doorways of our mouths — lips parted softly, stagnant air drowsing in a relieving moment of inaction. I would say that nobody hopes for bad news, but that seems a bit idealistic for this day and age, doesn’t it? We, each of us, salivated over fantasies of doors being broken down by bomb squads and the woman being led from the cracked steps of the front porch, hands cuffed behind her back.

The wanting, the buzzing need for a dramatic denouement: I’m sure it’s a genetic mutation that’s occurred over lifetimes, since humankind reached a state of existence that didn’t demand constant vigilance against the dark of night.

***

The woman slumps against the living room wall, fingers curled around her phone. The screen betrays nothing, no one. Slivers of daylight pierce the drab room, highlighting floating particles of DNA and who-knows-what-else as they drift toward destinations unknown. She can smell the boards, their scent unnatural in the room manufactured by machinery rather than soil, and she hates them for that.

While she sits, the house sings its daily score: from the hallway, the methodic thrumming of the dryer; from the kitchen, a here-and-gone-again hum from the refrigerator; a startling groan from shifting joists every so often. It’s as though the woman is hearing this music for the first time — she sinks into the chorus, allowing her head to tilt back as she considers the rustling nature of silence. How can it be possible to occupy a still space and encounter ceaseless chatter?

When she was a teenager, the woman had an affair with a married man. He’d capitalized on her naïveté, snaking an arm around her shoulders seemingly haphazardly at first; later, with the confidence that accompanies ownership. Quick side-armed hugs goodbye lazily transitioned into embraces that lingered moments longer each time — she was never sure when it was okay to pull away — and then one day, he pointed at his cheek and said Can I have a little kiss? and then seven weeks had passed and she was holed up in the bathroom at the Kwik Stop in town with a box at her feet and cellophane littering the floor nearby and a room full of silence bearing down on her with the weight of ten thousand hands. She remembers, now, that the silence had had a vibrancy then, too: the fluorescent fixture whined at an unreasonably low pitch while the cellophane crinkled in a slow unfurling on the floor, independent of human contact.

Three weeks later, she’d experienced silence for the last time she could remember, in the front seat of her car while it idled in a parking lot she never thought she’d call a resting place. The engine prrrrrrr-ed in alternating levels of high- and low-volume as she retched into a McDonald’s cup — formerly host to sweet iced tea — and moaned into the emptiness around her.

Yes, the woman decided now: silence was alive, and just like her son, incapable of keeping still.

***

From the corner of Elm and Hyacinth, the house looks abandoned. The boarded-up windows are dark, and when the sun hits just right, it’s almost impossible to tell if the windows have been covered or if the house is merely vacant.

Almost.

The garden is a dead giveaway: a healthy growth of weeds dominate, with two or three marigold bushes sprinkled throughout and a miraculous patch of zinnias shouting “Look at me!” to passersby. If the house were abandoned, the zinnias would have wilted long ago, while dandelions and clover and other pests sprouted upright and starved the flowers of sunlight and moisture. The garden would look a bit like Jumanji, after the kids have opened Pandora’s box and they’ve floundered about helplessly for a day or two. An observant neighbor will notice the zinnias, tended — albeit, haphazardly — and know: someone lives there.

***

A phone rings in another room — her daughter’s, she thinks — and its chirpy proclamation is shrill and unwieldy in the heavy near-silence of the house. The woman quivers imperceptibly. The tune plays two, three, four times before cutting off abruptly mid-ring; the stillness returns, the call a brief (but jarring) ripple already fast dissolving.

To be continued.

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